Stopping Distance
How to get remembered at a casting: arrive at speed, stop on a coin, and let the receptionist do the rest of the marketing for you.
Warm-up
I've been on wheels since I was six, when my grandfather traded a neighbour two jars of honey for a pair of quad skates three sizes too big. Twenty years later I still arrive at castings on inline skates: partly because Riga tram schedules are a work of fiction, mostly because nobody forgets the girl who rolled into the lobby, stopped on a coin, and handed over her comp card before the lift crowd had pressed a button. Casting directors call me 'the skates one'. It's on my invoice footer now.
The highlight reel
Fast frames
Season highlights
Recent laps
People think 'commercial energy' means smiling on cue. What it actually means is hitting a chalk mark at fifteen kilometres an hour with a bubble-gum bubble at maximum inflation, forty takes in a row, while a lighting assistant reparks the sun. I can repeat a hair-flip until the wind cooperates, laugh on the seventeenth take like it's the first, and paddle a kayak backwards out of frame without dropping the smile. Fast looks easy. Easy is the job.
Move Like Nobody's Watching
Summer Never Brakes
The Speed Issue
City Wheels Capsule
Pit notes
Fresh off the tape
Next lap · your campaign
Let's roll
Commercial & Lifestyle Model, rolling out of Riga, Latvia and quick to anywhere with good light. For bookings and castings, send the brief.
Send the brief